The T Checklist: 5 Issues We Advocate This Week

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The culinary vision of the French chef Auguste Escoffier made the Ritz Paris a coveted dining destination more than 120 years ago. Now, François Perret, who has been the hotel’s pastry chef since 2016, is cementing that reputation with Le Comptoir, a pastry shop that opened at the property earlier this week. The shop on Rue Cambon, open to the public, offers variations on classic pastries, from croissants and mille-feuilles to seven types of glazed madeleines. But Perret has also introduced new creative confectionery products, such as his three made-to-order “cake shakes” – drinkable versions of his best-selling treats from the Ritz’s Salon Proust teatime menu. “In a place with such an aura, with such a story, we owed it to ourselves to be ambitious on this project,” explains Perret. “People come to us for something special, because we are the Ritz. That had to be brought to life in the pastry. ”Ritzparis.com.

Although I often see wooden shoes on the streets of Brooklyn, I had never considered them for myself. With their stiff wooden soles and chunky rounded toes, I’ve only ever admired them in others. And now the shoes have popped up all over the spring runways. At Hermès, designer Nadège Vanhee-Cybulski paired every look with a beach wood clog with the house’s signature H on the calfskin, available in a range of neutral tones. (Just like the house’s Birkin bag, there is now a waiting list.) Chanel’s version also came in a neutral beige but with a low block heel to keep it true to the comfort of a clog, along with a cork sole. At Louis Vuitton, on the other hand, Nicolas Ghesquière’s version has gold rivet details on the outside and a strap with the brand’s classic monogram. If you’d rather go to independent brands, try clogs from Ancient Greek Sandal, known for their quality leather, or Porte & Paire’s collaboration with Frankie Shop.

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Morgan and Jaclyn Solomon, the duo behind the jewelry brand Agmes, have always been inspired by art, including the works of Alberto Giacometti, Man Ray and Barbara Hepworth. Therefore, her new collaboration with Brooklyn-based ceramist Simone Bodmer-Turner – on a collection that transforms some of the artist’s existing sculptures into portable miniature versions – is an appropriate extension of her practice. “Jaclyn and I were great admirers of Simone’s work,” says Morgan, “and she had just given me one of Simone’s vessels when Simone contacted us about the purchase A pair of earrings. When I saw her message, I knew I wanted to discuss the idea of ​​a collaboration. ”From there, the trio worked together to create pieces that also had Bodmer-Turner’s unique aesthetic (working together allowed her to work with a variety of Metals instead of clay) and reflect Agmes’ fondness for intricately handcrafted accessories. The influence of the ceramist can be seen in the undulating, organic shapes of the bold rings, pendants, chokers and earrings in silver and gold, accented with freshwater pearls, silk cords and glass balls. agmesnyc.com.

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Artist Gary Simmons is best known for using a technique called etching. Simmons uses pop culture waste as source material, from the racist “Looney Tunes” figure Bosko from before the Second World War to the titles of long-lost “racing” films from the Jim Crow era such as “The Bronze Buckaroo ” pass. sometimes directly on a blackboard, then he blurs the picture with his hand – a gesture that gives his work the uncanny quality of amnesia. Erasure is also the unofficial subject of Altered States, a group show Simmons organized at the recently opened Rebecca Camacho Presents gallery in San Francisco. The works of six Los Angeles-based artists include polished metal paintings by Josh Callaghan reminiscent of Simmons’ own smeared chalkboard and photographic self-portraits by Genevieve Gaignard, composed as if the slick nostalgia of Cindy Sherman’s “Untitled Film Stills “Would be transported to a suburban sprawl, but with a voyeuristic fear. “You see certain threads in the work around you. There are common interests, ”says Simmons of the exhibition. The summer group show is a popular tradition in the art world, and it is now a sign that galleries may return to normal. Altered States is available for view until July 23 at Rebecca Camacho Presents, 794 Sutter Street, San Francisco, at rebeccacamacho.com.

Whether created through creative collaboration or developed in-house, this season’s men’s fashion was inspired by the world of fine arts. Hermès debuted, in collaboration with French painter and sculptor Jean-Louis Sauvat, shirts adorned with indigo horses that feel lifted from a woodcut, while Bianca Saunders repurposed an archive photo of her mother lounging on the beach in Jamaica, which she repeated over the front panels of one Button-down. Then there is the ceramist Brian Rochefort, who worked with Berluti’s creative director Kris Van Assche to translate his living sculptures into various items of clothing, including a shirt with stains reminiscent of the stains of an otherworldly animal. For Ermenegildo Zegna’s own painterly print (a purple-blue-green pattern on a half-zip smock) the brand drew from the foliage of the Oasi Zegna, a nature reserve in the Bielle Alps that was the focus of a reforestation campaign in the 1930s led by. was the name giver of the brand. Kim Jones of Dior Men fell in love with the work of the Ghanaian painter Amoako Boafo and created an entire collection in dialogue with the artist’s lively portraiture.

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